The Red Turtle (2016) is an animated fantasy film directed by Dutch-British animator Michaël Dudok de Wit in his feature film debut. The film is a co-production between Wild Bunch and Studio Ghibli, and tells the story of a man who becomes shipwrecked on a deserted island and meets a giant red turtle. The film has no dialogue. It premiered in the Un Certain Regard section at the 2016 Cannes Film Festival.
Director: Michael Dudok de Wit
Writers: Michael Dudok de Wit, Pascale Ferran
Genre: Animation, Fantasy
Release: France 18 May 2016 (Cannes Film Festival) – Poland June 2017
The Red Turtle (2016) Storyline
The dialogue-less film follows the major life stages of a castaway on a deserted tropical island populated by turtles, crabs and birds.
The Red Turtle (2016) Review
The way this illuminating and ethereal film captures the senses makes you wish to linger in each frame; approaching rain the only sound, stars and moonlight reflected in the calm sea, the comforting and rhythmic wash of waves at night, the endless shades and patterns of color and sunlight in water and emotions conveyed in just a glance.
A lone man washes up on a remote and uninhabited island shore after a shipwreck. He is resourceful, works his way out of perilous situations and manages to find fresh water, fish and breadfruit to sustain him. He builds a sturdy raft and launches it in the sea, yet a large sea turtle breaks the raft apart. The turtle seems to want him to stay on the island. In a moment of rage, the man attacks the turtle and unwittingly sets in motion something more powerful than he can imagine.
The Red Turtle is wordless, yet not soundless. Nature speaks instead, in all its wonder apart from the noise of civilization. We hear, among other things, the movement of figures in the grass, the preternatural buzz of cicadas in the trees, a storm sweeping over the forest, waves tumbling in rhythm upon the shore, curious crabs turning over objects in their claws and wind rising and falling like emotions or breath.
The tremendous power of the Red Turtle is in its exquisite artistry and the emotions it conveys. The art is surreal and realistic at the same time. Every frame is so detailed, expressive and colorful that I – a nature lover I admit – broke down in awe and wonder. That the filmmakers shared this sentiment for the natural world is clear. The light on island greenery positively glows, there is play between sun and shadows, and clouds move resplendent in the twilight like they are stars in their own show.
Human emotion is conveyed with just as much ability as that of nature. People talk without speaking. They know the feelings of others, by their manner and the look in their eyes, in an instant. Because of the film’s amazing artists, the audience doesn’t need to hear words to know what is going on. The artwork conveys the contents of hearts. It is a much better way to communicate really. We feel the man’s remorse for wanting to harm a turtle that wanted to help him. Someone reaches out their hand and we feel the touch on our cheeks. We move our feet with the dance beneath the sea.
Above all, the Red Turtle clearly renders our deep connection to nature and to each other. It does this so well it brings tears. We witness nature in all its wonder and power. As with Native American art, the film artistry allows the audience to glimpse and understand the lives of animals.
The Red Turtle was made in collaboration with Studio Ghibli. The director maintained after the showing that Studio Ghibli placed enough trust in him that he had space and freedom to operate, yet also could turn to them for advice when needed. The director/studio partnership certainly found the right balance. North American premiere seen at the 2016 Toronto International Film Festival.
The Red Turtle (2016) Trailer